Interview With Artist David Hunt

Artist Statement

The focus of my work is synonymously related to nature and landscape. It is an investigation of nature, its forms, its sublimate captivation and the paradigm of how we align our position, perceptions and reactions to them.

Predominantly my subjects derive from arboreal environments, which I record with photography, sketch making, and through the internalisation of personal experience. Hence, when we find ourselves in an environment where the realisation of aloneness becomes internalised, there can be various responses. Angst, vulnerability, fear, adrenaline, but paradoxically, these feelings can also be interpreted as vision, freedom, liberation, and excitement. They can be either comforting or discomforting and this to me is a reflection of our individuality…

Q: What medium or mediums do you work with?

A: Currently I am working with various mediums which include but are not limited to: ink, PVA, oil paint, digital imagery on paper, on canvas.

I feel that restricting oneself to a single particular medium denies the artist a degree of creativity which cannot exist without the unpredictable nature of mixing mediums. It is at those times when the medium seems to take over that the artists sense of loosing control is in fact the artist at the height of his creativity.

Q: How long have you been an artist? How did you get started?

A: My first response to your question is; always. I think that everyone in their early life is an artist, but only a few of these artists learn how to continue being an artist. For me, I knew that I was an artist during my school years and enrolled on as many arts related classes as possible. I finished school at the age of sixteen in 1984, but was discouraged from pursuing a career in art. I became distracted by money and work and became an electronics engineer.

After about six years I felt empty and tired. I tried to fill this emptiness by enrolling on an evening course for advanced level fine art painting in 1990. This helped me but financial commitments meant that I had to continue working in electronics. Another eight years later and I had had enough. I became too disenchanted to continue in electronics.
I knew then that I must explore my potential as an artist, and so 1998 was a turning point in becoming the artist that I am now.

Q: Do you have any formal training or are you self taught?

A: My formal training, I suppose, really began in senior school with ‘O’ level Fine Art, Technical Drawing, and Craft Design Technology. As previously mentioned I then later earned an ‘A’ Level in Fine Art Painting on an evening course at college, this is where I was introduced to oil paint.

After my ‘A’ level, any advancement of my knowledge was self taught. I read books but mostly I just experimented with oil paint by trial and error. I soon learned that it is the errors or mistakes that one makes which ultimately advances ones skill. I might have been happy to continue self educating myself, but the reality of the modern art market is that qualifications count when it comes to finding representation in high profile galleries. Some artists manage to carve out an arena of critical debate around their work from being self taught, but in most cases a Degree is beneficial or even essential too an artists career, and so I began my Bachelors Degree with honours in fine art painting and drawing at the University of Northampton in the UK. I am entering my final year and graduate in 2010. I plan on continuing my studies to go on and earn a Masters Degree the following year…

Read the rest of this artist interview here.

Landscape Drawing Lesson By Diane Wright

Start by just looking up.

Ever since a fellow artist challenged me to include a sky in one of my drawings, I have been keeping my mind in the clouds. I am continually amazed at the beauty of just looking up in the sky! Over the past couple of years, I have been learning the importance of toning the sky and adding clouds as part of overall compositional improvement in my landscapes. I think I could spend hours and hours fiddling with each puff of white!

Start looking up to the sky and observe cloud formations. Take photos of clouds and you will be amazed at what you will start to “see”!

View the rest of this landscape drawing lesson here.

10 Watercolor Demonstrations to Spark Your Creativity

Over the years, we have accumulated a number of exceptional watercolor painting demonstrations both here at artinstructionblog.com and creativespotlite.com. I thought it would be a good idea to create a post that highlights some of the best demonstrations that have been submitted in the event you have not already viewed these during your stay here….

View these watercolour painting demonstrations here.

Learn and Master Painting – An Artist’s Review

There is a brand new home instruction course entitled Learn and Master Painting which is quite easily the best home instruction course available in teaching you how to paint with oils and acrylics.

Unlike most of the people promoting this course online, I am an artist and actually own this course, so rest assured you are getting an honest review..

The Learn and Master Painting course comes jam packed with 20 professionally produced DVD’s, 3 Music CD’s (you can listen to these while you are painting), a detailed lesson book with extra information, and a free support website.

Instructor Gaylee Levee will take you step by step through the process of becoming an accomplished painter. You will learn about perspective, how to organize your studio, how to care for your art materials, how to develop compositions….all of the foundational skills needed to become the artist you have always aspired to be.

I like to refer to Learn and Master Painting as an “Art School in a Box”, because it is quite literally like attending a professional Art School within the comfort of your own home, but at the fraction of the price. The folks over at Learn and Master Painting have made this course extremely affordable for any budget.

Not only is the course professional and affordable, but unlike attending an art school, you have the ability to watch these courses over and over again. So if something does not sink in right away, you can play the DVD’s again and practice something until it does. But the benefits do not stop there. Along with the 20 DVD’s and course book, you also have access to an entire community of artists who have also purchased the Learn and Master Painting Course. Here you will find support and encouragement from instructor Gaylee Levee as well as from other students from all over the world.

I recommend this course wholeheartedly to anyone wishing to learn how to become an accomplished artist. There is no other home study course in existence today of this caliber.

One last thing. Do not buy this course if you are not serious about devoting the time and energy into learning how to paint or if you do not have patience. Without patience and hard work, this course will do you no good.

Click here to Learn and Master Painting!

Oil Painting Color Mixing Lessons & Resources

One of the biggest challenges for artists just starting out with oil painting is mixing colors. Color is a powerful tool. If handled improperly, things can become quite messy. Improperly mixed colors lead to muddy or unbalanced paintings. The good news is, with practice, you will become more skilled at mastering color in your oil paintings. I have collected a number of color mixing tutorials below including links to articles, videos and books. I hope you find these oil painting color mixing resources helpful….

View these oil painting color mixing lessons here.

Composition Tips For Painters

Composition is one of the most important aspects of painting. A pleasing composition is one where shapes and colors in a painting are organized in such a way that there is a sense of balance. Creating a balanced and interesting composition is more challenging that it may appear. If something is out of place or wrong, the viewer is left confused or uninterested. The following tips should help steer you in the right direction….

Read the rest of this art lesson on composition here.

Landscape Drawing Tutorial – Drawing Rocks

Rock Drawing Tutorial by Diane Wright

While I haven’t had the opportunity to draw many rocks in my landscapes (yet), they can certainly add interest to any landscape. I consider them just one more opportunity to add a different texture to the scene.

There are different kinds of rock formations. From sandstone, shale, limestone, volcanic to boulders. Each one will hold different textures and ‘feel’ to them.

This lesson will be very specific and we are going to study the drawing of a close-up view of rocks. Our goal is two fold. 1) To understand the how to create the shape and depth of rocks, and 2) to learn how to create textured, realistic looking rocks.

Read the rest of this landscape drawing tutorial here.

Learn Oil Painting Techniques – Paint Like Monet

You Can Learn How to Paint Like Monet: His Techniques and Color Mixing Approach

Have you ever wondered how to paint like Monet or wanted to paint like he does?

When you see his works, like the huge water lily paintings in the Orangerie Museum in Paris, you know that he was truly a master colorist.

Those paintings made such an impression on me that to this day I’m still inspired to follow in his footsteps. I want to venture outdoors, see the natural world around me, and paint it the way that he did. It is an invigorating change from the studio painting approach I normally use.

Learning how to paint like Monet is easy. There are three aspects to keep in mind: how he mixed his colors, his technique of applying the paint, and his process for creating paintings….

Read the rest of this oil painting tutorial here.

Oil Painting Techniques – Different Methods For Starting an Oil Painting

Oil paint is an exciting medium to work with. One will never become bored while painting with oil paints. There are a variety of materials and other mediums at your fingertips and when you combine these materials and mediums with the versatility of oil paints, you have a variety of interesting ways to begin an oil painting. There are certain drawing and painting mediums that are compatible with oil paints and when utilized, will make your painting experience more interesting and enjoyable.

CHARCOAL

Charcoal works beautifully as a preliminary step to oil painting. There are three main forms of charcoal used most often by artist’s and they are compressed, willow and vine charcoal. Willow and Vine charcoal tend to be more highly favored for preliminary drawings as they leave a lighter mark and are easier to erase. Compressed charcoal, because it leaves a much darker line, is more difficult to remove and not as widely used to start an oil painting. Some helpful tools to use for working with charcoal are kneaded erasers, stiff bristle brushes, blenders and tortillions. Whatever type of charcoal drawing you create, make certain not to go overboard with your application. Charcoal is very forgiving with oil paints, but too much, and it can effect the paint in adverse ways.

PAINTING ON A TONED GROUND

Depending on the type of final picture you are working towards, sometimes the white of the canvas can be too bright or have too much contrast which makes starting a painting rather difficult. Using a uniform toned ground on your support, will make it much easier to judge the values in your painting. You are welcome to use any color you like to tone your canvas. Some of the more popular tones are warm reds, yellow and browns.

Toning your canvas is pretty straight forward and will not require that much time. Here is an example using one of my favorite tones. First create a thin wash using Yellow Ochre and Burn Umber. Apply the wash to your support generously. Use a large bristle brush to spread and cover the support entirely. Allow the wash to dry for a couple of minutes and then wipe off the excess with a cloth. You don’t have to use oils to tone your canvas. You can tone your canvas with any of the water mediums described below…..

Read the rest of this oil painting tutorial here.

Learn to Draw – Portrait Drawing Tutorial

The human anatomy is a very complicated subject to draw.  It has been said, that if one can master the human figure, one can draw anything.  I believe there is definitely some truth to that.

So if you are passionate about learning how to draw the human body, specifically the face, then you are sure to find the following tutorial extremely helpful.

The following is a 6 part video lesson demonstrating step by step, the process of drawing a realistic portrait.  It was created by the very talented portrait artist Ron Lemen.

Unfortunately, this drawing series has not been completed yet or the artist has not yet uploaded the final part.  I wasn’t planning on posting this incomplete tutorial, but it is such a valuable lesson, that I just couldn’t pass it up.  I hope you don’t mind. I promise to post the final part if and when it becomes available….

Read the rest of this portrait drawing lesson here.